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There were neither texts nor rubbish on the walls, but only a stirring version of Belshazzar’s feast, a steel engraving in the early Victorian manner that had some satisfactory blacks. Coming from the gloom of the passage, even the corridors seemed sufficiently illuminated for them to see their way. Hitherto she had seen it chiefly in pictures and other works of art, incidentally, and as a thing taken out of life.

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