” “Your sister,” he answered, “did me the honour of dining with me last night. The Scotchman informed Ann Veronica that your view of beauty necessarily depended on your metaphysical premises, and the young man with the Russell-like hair became anxious to distinguish himself by telling the Japanese student that Western art was symmetrical and Eastern art asymmetrical, and that among the higher organisms the tendency was toward an external symmetry veiling an internal want of balance. Three times she escaped. Perhaps what urged her interest in the young man's direction was the dead whiteness of his face, the puffed eyelids and the bloodshot whites.
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