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‘Who in the name of heaven is this Leonardo? And why did he kiss you?’ ‘He was an Italian soldier, and he wanted to kiss me,’ Melusine said, goaded. They were alike in one phase—loveless and lonely. And not only so, but that it was after all, a more systematic and particular method of examining just the same questions that underlay the discussions of the Fabian Society, the talk of the West Central Arts Club, the chatter of the studios and the deep, the bottomless discussions of the simple-life homes.

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