On the other a wretched engraving of the Chevalier de Saint George, or, as he was styled in the label attached to the portrait, James the Third, raised a suspicion that the inmate of the house was not altogether free from some tincture of Jacobitism. ‘It is all the fault of that lantern. And what did she do? Not only did she cut his hand in her rage, but she refused to let him help her, and then she ran away from him.
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